“This is not the story of an outsider looking in, this is the story of an outsider being invited in.” – Cybelle Codish
In the spring of 2009, Codish accompanied a crew of filmmakers who set out to document the life and landscape of modern day Native Americans living on the Laguna Pueblo Reservation in New Mexico. Her responsibilities for the collaboration detailed production of a series of still images until it became apparent that there was far more meaning to the work. Ultimately a selection of Codish’s images would not only be included in the 2011 film GRAB, but they would tour North America for the remainder of that year. 
For six months her photographs hung at the Smithsonian's National Museum of the American Indian in NYC, coinciding with the premiere of the documentary at Sundance. Next the images went on to be displayed at The National Geographic Museum, and the National Geographic affiliate Indian Pueblo Cultural Center in Albuquerque, NM. In addition to these prints, the artist’s archives held images that have never seen the light of day until now.
“As Above, So Below” borrows from the Greek myth of Hermes to emphasizes the historical significance of culture and spirituality. The exhibition honors the transgression of boundaries to the other side beyond the reflection of human singularity and universal truth.
Led by the natives, Codish quickly learned how inviolable the dichotomy between earth and sky is for the Laguna people. During her time on location, the artist’s personal connectivity deepened and resonated further having been named after the daughter of the Phrygian sky-god and earth-mother herself. 
As the tribe prepared for the ancient tradition of Grab Day, a celebration of abundance, thanks, and renewal that occurs within the villages, Codish witnessed transformation, camaraderie and rebirth. In these images a story of contrast is shared between the ways of the Laguna people, their ancestors, and the world that surrounds them today. 
From the micro close-ups that depict the folds and wisdom of the tribal women to the expansive broad horizon, natural formations and macrocosm, practices of all ways of life can be felt through Codish’ lens. Despite the hierarchy of greater and minor, the Laguna people dwell in this very juxtaposition as we all do.
Traces of a past remain present as the photographs call to mind that each of us harbors particles of all has come before us. Only the 500,000 acres of the reservation know the truth, only the universe will prevail.
Cybelle Codish is first an artist, then photojournalist. Her documentary style photo essays have graced everything from Rolling Stone to Taschen to Washington Post and assorted independent presses. Codish has shot for a myriad of record companies including Capitol, Motown, Universal, Atlantic and Warner Brothers, and has numerous Gold and Platinum awards for her album covers. 
Her rich colors and impermeable black point underscore her vivid accounts of real life activity making her a photographic force. She has traveled the world on editorial assignments and was deemed photographer to the celebrities for several years after studying at the prestigious School of the Art Institute of Chicago. She was most recently named as a New School Fellow before the release of her cookbook collaboration, “Coconuts & Collards” by the University of Florida Press in spring of 2018.

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